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The late Dada Kondke has impressed an full generation of viewers, filmmakers and actors in Maharashtra, and Pandu is a testimony of that. No, it is not a remake or sequel of Dada Kondke’s iconic Pandu Hawaldar, but a tribute to Dada Kondke.

Pandu doesn’t make tall statements it stays genuine to the essence of Dada Kondke’s films, with one sole goal – that of entertaining the masses. And who much better to do that than two of the most very well known comedians from the business?

Bhau Kadam and Kushal Badrike workforce up for this comedy, producing it the initial time for the two to be performing with each other on the major display. The movie commences with the Bhau (Pandu) and Kushal (Mhadu) doing at a programme in honour of politician Babasaheb Pathare (Pravin Tarde). Happy with their general performance, Babasaheb fulfils their wish of carrying out a career for livelihood and receives them inducted as Hawaldars in the Mumbai law enforcement force. What follows is a comedy of problems, twists and turns, and a hatke climax.

Comedy with double this means jokes is a difficult location. It desires to have just the suitable harmony a minor fewer can make it drab, and a minimal extra can make it crass. Director Viju Mane manages to strike a stability, creating you snicker with just the right tadka.

The performing department is entire of recognised names and they deliver what’s predicted of them. Any person else in put of Bhau Kadam for this role may not have strike the mark, but the ace comic nails just about every punch line when retaining a specific level of innocence. Kushal as Mhadu is the great companion to Bhau’s Pandu and provides an equally fantastic functionality. Neither of these two overpowers each individual other. Sonalee appears to be like lovely no doubt, and she also will get to pack a punch (literally) as Usha. The actress’s element is pivotal to Pandu’s plot. Pravin Tarde commands the display screen as Babasaheb Pathare though Prajakta Mali emerges as a shock package deal in this equation as Babasaheb’s daughter.

As entertaining as Pandu’s initially 50 percent is, the movie loses rate in the 2nd half. While the climax earns some brownie details, the movie does not make a complete turnaround. There are some supporting figures added for comic reduction, but doing away with some of them would not seriously have created a lot of a distinction. Hemangi Kavi, for case in point, doesn’t have a great deal to do in addition to developing Mhadu’s married lifetime, nor does Shahbaz Khan.

All explained and done, Bhau Kadam and Kushal Badrike’s camaraderie is the spotlight of the film. Which is also what most individuals would go to observe the film for. The two really don’t disappoint. The similar cannot be explained about the film as a complete although.